Category: Inst. Music

Men have long subordinated the directives of God to their own will and desires. Simply put, mechanical instruments exist in modern worship because men want them there, not because God authorized them.

Happily do we join hearts and hands in the work and worship prescribed of God with all who “in every place call upon the name of Jesus Christ, our Lord, both theirs and ours” (1 Corinthians 1:2; 4:6, 17; 11:2). However, until we are shown from the Scriptures that instruments of music are authorized as part of the worship of the church, we can have neither part nor lot with them and shall oppose them as we would any other human tradition and innovation (Revelation 22:18, 19).

Why must the will of God be made subject to the popular approval of the church? Should not her opinions on worship be subject to the object? Or does she intend to offer God strange fire, in the doomed fashion of Nadab and Abihu, which he did not command?

The following correspondence was initiated with brother Hafley by a man who sought to defend the use of instruments of music in Christian worship. We will limit our identification of the man to his first name, Don. Don’s grammar and punctuation, as well as his sentence construction, lacks formality. We thought it best, however, to retain the form rather than seeking to edit the posts of one with which we disagree. The correspondence is reprinted here for your study on this important subject.

Jesus did not think that our private worship was “far more important” than our understanding of certain doctrines. He did not teach that “worshiping him privately” “is far more important” than our public doctrines or teachings. He said that when we draw near to him (whether privately or publicly) and we do so while keeping our own human traditions, that our worship is “in vain,” void [Matt. 15:8, 9, 13, 14; Cf. 7:21-27].

God once spoke unto men by the Old Testament prophets, but now he speaks unto us “by his Son” (Hebrews 1:1, 2). We no longer appeal to quaking, shaking Sinai, but unto the heavenly Mt. Zion (Hebrews 12:18-28). We no longer hear Moses who spake on earth but our Lord who speaketh from heaven. The voice from the earth, the Old Testament, spoke of both incense and the instrument. The one who speaketh from heaven speaks of neither.

You can ask almost anyone what the definition of “a capella” is and they will say something like, “Oh, that just means to sing without using instrumental assistance.” And while that is correct, very few people know that “a capella” is a Latin phrase which actually uses different words than we think when translated. Literally translated, “a capella” means “as in church.” It is a term that comes down through history and into our language from the Catholic Church. The term was used to differentiate the kind of proper music that was used in Catholic worship for many centuries from all other types of music which had little to do with worship and mostly to do with entertainment. So we see that “a capella” was the use of the voice as the only appropriate music for worship in early Catholic history.

Finally, one thing is incontrovertibly settled: those who adopt this practice (instrumental music in worship) are, to that extent, guided by the wisdom of man, and not by the wisdom of God; and they thus openly violate the plain and positive requirement of the Lord that His followers shall walk by faith.